Are We in a Pixie Reduce Renaissance?

The look is rooted in defiance, independence and girls’s autonomy.

By Natalie Michie

Date March 21, 2022

Zoë Kravitz can pull off nearly any coiffure. And through the years, she’s modified her look sufficient occasions to show it. The actor has tried a bleach blonde bob, an higher lower, braids, and in The Batman, she pulls the pixie out from her magnificence repertoire as soon as once more.

As Catwoman (performed by Kravitz), Selina Kyle’s capacity to change her persona might be seen within the totally different hairstyles she chooses. If she’s making an attempt to deceive somebody or play a component, Kyle selects one in every of her many wigs that modify in color and size. However when she’s her most genuine self, the pixie comes out to play.

It’s a flexible lower that represents the character’s private freedom. And in the true world, increasingly more celebs (like Alexa Demie and Florence Pugh) are selecting to snip their strands. Why? One cause is the pixie lower’s historical past as an emblem of individuality and girls’s autonomy.

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Alexa Demie. Pictures courtesy of Getty Photographs.

The social assemble that tells us males ought to have lengthy hair and girls ought to have brief hair dates again to historical Greek and Roman occasions (and is even talked about in bible passages). Quick-forward to the Nineteen Twenties, and distinguished feminine figures like Manhattan artist Clara Tice, aka “Queen of Greenwich Village,” had been credited for carrying the blunt lower when it was not in vogue to take action.

Males pushed again on the pattern, defined Racked journalist Rebecca Jennings. Actually, in 1920, writer F. Scott Fitzgerald launched a brief story titled Bernice Bobs Her Hair, a cautionary story a couple of lady who cuts her hair right into a bob after which turns into a social outcast due to it.

However that didn’t cease brief hair from having its heyday. All through the twenties, it was embraced as a subversive model, thanks partially to flappers and their affinity for flashy style. The rise of the pixie lower thus fell in keeping with the bigger motion of ladies who had been preventing for independence.

One of the vital notable figures related to the controversial look is Audrey Hepburn. Although she’s largely regarded as we speak as a timeless magnificence queen, Hepburn confronted criticism throughout her rise to fame within the Nineteen Fifties for having a “boyish” determine and brief hair. In her 1953 movie Roman Vacation, Hepburn’s character famously cuts her hair to mark a brand new period of independence. Hair historian Rachael Gibson instructed Vogue that Hepburn’s haircut on this movie despatched the model into the mainstream. And as a long time handed, the pixie continued evolving.

Within the Sixties, famed hairstylist Vidal Sassoon conceptualized the blunt bob, which was related to ladies’s emotions of private freedom. His shoppers included sixties style icon Twiggy and actor Mia Farrow. Farrow famously sported it in Rosemary’s Child, a horror a couple of lady who goes by way of a mystical being pregnant. All through the movie, Rosemary (Farrow) is desperately making an attempt to take management of her personal life regardless of meddling outdoors forces. She famously chops her hair right into a pixie lower in a small act of defiance.

Within the Nineties, the pixie lower skilled one other surge. Seen on stars like Winona Ryder, Linda Evangelista, Jada Pinkett Smith, and Halle Berry (who performed Catwoman in 2004), the model continued into the early 2000s as a marker of originality.

Although extra socially acceptable as we speak, the pixie lower remains to be a marker of individuality. It’s no marvel that it’s the most well-liked search for Catwoman, a determine identified to reclaim conventional notions of womanhood and femininity. With ladies’s self-worth usually tied to our hair, there’s a cathartic launch in having the ability to shed that weight, bodily and mentally. That’s why the pixie lower — and its implications of private energy — will ceaselessly be the last word statement-making coiffure.

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